Patrick Nagatani

BORN: August 19, 1945; Chicago, Illinois, U.S.A.   EDUCATION: M.F.A. 1980, University of California, Los Angeles B.A. 1968, California State University, Los Angeles SELECTED INDIVIDUAL EXHIBITIONS: 2003 Mariposa Gallery, gallery e, Albuquerque, New Mexico, Unbearable Weight Reed College, Portland, Oregon, Nuclear Enchantment   2002 SK Josefsberg Studio, Portland, Oregon, Patrick Nagatani The Yager Museum, Hartwick College, Oneonta, New York, Nagatani / Ryoichi Excavations The Columbus Museum Uptown, Columbus, Georgia, Nagatani / Ryoichi Excavations Rochester Institute of Technology, Rochester, New York, Nagatani / Ryoichi Excavations   2001 University of Kentucky Art Museum, Lexington, Kentucky, Nagatani / Ryoichi - Excavations Schneider Gallery, Chicago, Illinois, Nagatani / Ryoichi - Excavations Anderson Contemporary Art, Santa Fe, New Mexico, Dactylology - Masking Tape Paintings Andrew Smith Gallery, Santa Fe, New Mexico, Excavations Lycoming College Art Gallery, Williamsport, Pennsylvania, Nagatani / Ryoichi - Excavations   2000 The Center for Creative Photography, University of Arizona, Tucson, Nagatani / Ryoichi - Excavations, Nagatani / Tracey Polaroid Collaborations 1983 - 1989   1999 University Art Museum, University of New Mexico, Albuquerque, Excavations - Ryoichi / Nagatani Excavation Project, 2-person exhibition with Richard Barnes The Art Institute of Boston, Massachusetts, Recent Work - Fragmented Bodies and What Does it Take to be a Man? Series   1998 Colorado Photographic Arts Center, Denver, Colorado, Covered and Uncovered Carol Keller Gallery, Denver, Colorado, Covered and Uncovered Schneider Gallery, Chicago, Illinois, Recent Work - Fragmented Bodies and What Does it Take to be a a Man? Series (photo linen, 20X24 Polaroid transfers and applied mixed media) The Albuquerque Museum, New Mexico, Virtual Pilgrimage - Patrick Nagatani's Japanese-American Concentration Camp Portfolio, (catalog)   1997 CEPA Gallery (Center for Exploratory and Perceptual Art), Buffalo, New York, Selections from five bodies of work in five of CEPA's galleries - 50 pieces in all, (brochure) Isla Center for the Arts at the University of Guam, Mangilao, Guam, Nuclear Enchantment   1996 Jan Weiner Gallery, Kansas City, Missouri, Novellas Amarillo Museum of Art, Texas, Nuclear Enchantment, 2-person exhibition with James Nakagawa deCompression Gallery, Phoenix, Arizona, Selections From -Polaroid 20X24 Collaborations With Andree Tracey 1983-1988; Nuclear Enchantment 1989-1992; Novellas 1993-1994 Northern Essex Community College, Haverhill, Massachusetts, Nuclear Enchantment   1995 Alexandria Museum, Lafayette, Louisiana, Nuclear Enchantment Koplin Gallery, Santa Monica, California, Nuclear Enchantment Portfolio Schneider Gallery, Chicago, Illinois, Novellas Koplin Gallery, Santa Monica, California, Novellas   1994 pARTs Photographic Arts, Minneapolis, Minnesota, Collaborations/New Solo Work Jayne H. Baum Gallery, New York, New York, Novellas California Museum of Photography, University of California, Riverside, Nuclear Enchantment Salathe Gallery, Pitzer College, Claremont, California, Nuclear Enchantment Foster Gallery, University of Wisconsin, EauClaire, Wisconsin   1993 Stanford University Museum of Art, Stanford, California, Nuclear Enchantment, Photography by Patrick Nagatani, Text by Joel Weishaus Royal Photographic Society, Bath, England, Nuclear Enchantment Jackson Fine Art, Atlanta, Georgia, Nuclear Enchantment State University of New York, Fredonia, New York, Nuclear Enchantment   1992  Richard Levy Gallery, Albuquerque, New Mexico, Patrick Nagatani: A New Series of Waterless Lithographs University Center, University of Tennessee, Knoxville, Tennessee, Nuclear Enchantment Photo Mirage Gallery, Denver, Colorado, Nuclear Enchantment Cleveland Center for Contemporary Art, Cleveland, Ohio, Nuclear Enchantment South Dakota Museum of Art, Brookings, South Dakota, Nuclear Enchantment Museum of Art, Palm Beach Community College, Palm Beach, Florida** Roswell Museum of Art, Roswell, New Mexico** Orange Coast College, Costa Mesa, California Koplin Gallery, Santa Monica, California, Nuclear Enchantment Andrew Macky Gallery, University of Colorado at Boulder** Collette Art Gallery, Weber State University, Ogden, Utah 1991 The Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin* (brochure) Jayne H. Baum Gallery, New York, New York, Nuclear Enchantment Kyle Roberts Gallery, San Francisco, California, Nuclear Enchantment Andrew Smith Gallery, Santa Fe, New Mexico, Nuclear Enchantment Alinder Gallery, Gualala, California, Nuclear Enchantment The Albuquerque Museum, New Mexico, Nuclear Enchantment of New Mexico: A Collaboration - Photography by Patrick Nagatani, Text by Joel Weishaus Monterey Peninsula Museum of Art, California, Nuclear Enchantment The Chrysler Museum, Norfolk, Virginia* (brochure) Art Gallery, Antelope Valley College, Lancaster, California** Art Gallery, Old Dominion University, Norfolk, Virginia**   1990 Lubbock Fine Arts Center, Lubbock, Texas, Nuclear Enchantment Charlotte Crosby Kemper Gallery, Kansas City Art Institute, Kansas City, Missouri* Art Gallery of Hamilton, Hamilton, Ontario, Canada** Koplin Gallery, Los Angeles, California* Williams College Museum of Art, Williamstown, Massachusetts** Art Institute of Southern California, Laguna Beach, California*, Radioactive/ Inactive Portraits Sangre De Cristo Art Center, Pueblo, Colorado** University Art Gallery, California State University, San Bernadino** 1989 Shadai Gallery, Tokyo Institute of Polytechnics, Tokyo, Japan* Bayly Art Museum, University of Virginia, Charlottesville*, Radioactive Inactives (catalog) Jayne H. Baum Gallery, New York, New York* Donna Beam Fine Art Gallery, University of Nevada, Las Vegas** The Contemporary Museum, Honolulu, Hawaii* Santa Barbara Museum of Art, Santa Barbara, California* (catalog) Harrison Museum of Art, Utah State University, Logan, Utah** Ruth Eckerd Hall, Clearwater, Florida** Scottsdale Center for the Arts, Arizona** Northern Arizona University Art Gallery, Flagstaff, Arizona* Northlight Gallery, Arizona State University, Tempe, Arizona* Webster University, St. Louis, Missouri*   1988 San Francisco Cameraworks, San Francisco, California* The Center for Contemporary Arts of Santa Fe, New Mexico** Houston Center for Photography, Houston, Texas* Koplin Gallery, Los Angeles, California* Silver Image Gallery, Seattle, Washington* University Art Museum, University of New Mexico, Albuquerque, Focus on Faculty: New Work 1987 Jayne H. Baum Gallery, New York, New York* Frederick S. Wight Art Gallery, University of California, Los Angeles* Museum of Photographic Arts, San Diego, California* Presentation House Gallery, North Vancouver, British Columbia, Canada** Torch Gallery, Amsterdam, The Netherlands, Taped Pieces Cerritos College Art Gallery, Cerritos, California Museum of Contemporary Photography, Columbia College, Chicago, Illinois** Gallery Min, Tokyo, Japan* (catalog) Texas Woman's University, Denton, Texas**   1986 Fotografie Forum Frankfurt, Frankfurt, Federal Republic of Germany** John Michael Kohler Arts Center, Sheboygan, Wisconsin* (brochure)   1985 Jayne H. Baum Gallery, New York, New York* Susan Spiritus Gallery, Newport Beach, California* Torch Gallery, Amsterdam, The Netherlands, Chromo-Therapy Series   1984 Clarence Kennedy Gallery, Boston, Massachusetts** Colorado Mountain College, Breckenridge, Colorado   1983 Susan Spiritus Gallery, Newport Beach, California John Michael Kohler Arts Center, Sheboygan, Wisconsin, Patrick Nagatani: Masquerades Arco Center for Visual Arts, Los Angeles, Colorful Cathedrals George J. Doizaki Gallery, Japanese American Cultural and Community Center, Los Angeles, Selected Works From Two Recent Series- "Celestial Earthscapes" 1979-1981 and Colorful Cathedrals" (early works) 1980-1983 (brochure)   1982 Canon Photo Gallery, Amsterdam, The Netherlands Muzej savremene umetnosti, Belgrade, Yugoslavia Srecna galerija/Happy Gallery, Studentski Kulturni center, Belgrade, Yugoslavia, Selected Works 1976-1981   1981 Susan Spiritus Gallery, Newport Beach, California 1980 Orange Coast College, Costa Mesa, California   1979 Exploratorium Gallery, California State University, Los Angeles, Kosmopolites   1978 BC Space, Laguna Beach, California, Chromo-Therapy Series Cityscape Gallery, Pasadena, California   1976 Pal Gallery, Evergreen State University, Olympia, Washington *collaborative work with Andree Tracey **traveling exhibition curated by Polaroid Corporation, Nagatani and Tracey Polaroid Collaborations   1983-1989 (the last year varies as to updating of the work in the exhibition) SELECTED PROJECTS 2003 The Stacked Deck, 6 of Hearts photo design for Tamarind Institute playing card project   2002 Art piece for Society for Photographic Education Print Portfolio   1997 Offset image and text as a newspaper insert, The Prints of Albuquerque-A city-wide celebration of printmaking, Albuquerque Tribune, Prints in the Paper Project, Friday, October 31 1997, insert size-18 3/4"X12" Bus panel for SunTran bus and auction, Art of Albuquerque - 7th Annual Traveling Art Gallery, Albuquerque, New Mexico   1996 Book cover image, Nuclear Rites: A Weapons Laboratory at the End of the Cold War, Hugh Gusterson, University of California Press, Berkeley, 351 pp. Book cover image, Memory at These Speeds / New & Selected Poems, Jane Miller, Copper Canyon Press, Port Townsend, Washington, 266 pp. Book cover image, Der Montag, Der Die Welt Veranderte (The Monday Which Changed the World), Claus Biegert, Rowohlt Publisher, Reinbek, Germany Catalog essay, Through Children's Eyes: 100 young photographers capture their community, Interpretive Photographs-Essay by Patrick Nagatani, art-in-the-school, inc., Albuquerque, New Mexico, edited by Sara Otto-Diniz, pp. 160-161 Photo mural, "untitled", The Center for Contemporary Arts of Santa Fe, New Mexico, Up and Running, curated by Linda Durham, Lucy Lippard, Chrissie Orr, Jerry West, mural size- 9'X12'   1995 Commissioned site specific photo mural permanent installation, "Epoch", MTA Headquarters, Boardroom, 3rd floor, Gateway Center at Union Station, Los Angeles, California, mural size- 12'X20' Book cover image, Inside an American Concentration Camp, Japanese American Resistance at Poston, Arizona, Richard S. Nishimoto, edited by Lane Ryo Hirabayashi, The University of Arizona Press   1994 Commissioned artwork from CD Rom source images, curated by Jonathan Green, California Museum of Photography, Riverside, California   1993 Commissioned installation photographed for advertisement, published in American Photo, ABSOLUT and Photographers + Friends United Against AIDS Portfolio, May/June pp. 33-34, Bus panel for Sun Tran bus and auction, Art of Albuquerque - Traveling Art Gallery, Albuquerque, NM Book cover image, Okozid 9: Phantom Atom - Abgrunde der Atomtechnologie und Wege aus Gefahr, Klemens Ludwig/Susanna Voigt, Focus Verlag, Giessen, Germany, 241 pp.   1992 Contributing set design for feature 35mm film, Fresh Kill (an eco-cybernoia film), producer/director Shu Lea Cheang   1991 Book, Nuclear Enchantment, photographs by Patrick Nagatani and essay by Eugenia Parry Janis, University of New Mexico Press, 40 color plates, 140 pp.   1989 Commissioned artpiece for catalog, Photography & Performance, Photographic Resource Center, Boston, Massachusetts, essays by Anita Douthat and Claire V.C. Peeps, 3 page piece, AAA map (America / Armed / Arsenal), 1989, printed offset   1987 Catalog, Patrick Nagatani and Andree Tracey, introduction by Mark Johnstone, Gallery Min, Tokyo, Japan, 40 color plates, 70 pp. Commissioned banner and exhibition, Art Waves Banner Art Exhibition, at the Los Angeles Theatre Center, funded by the Community Redevelopment Agency, Los Angeles SELECTED GROUP EXHIBITIONS: 2003 Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York, New York, (on-line catalog) Beyond Tradition; Permanent Collection Photographs, San Jose Museum of Art, California The Stacked Deck, Tamarind Institute, Albuquerque, New Mexico, (on-line catalogue raisonne) 2003 Governor's Arts Awards, Governor's Gallery of the New Mexico State Capitol, Santa Fe, seven artists Artists and Maps: Cartography as a Means of Knowing, curated by Linda Tesner, The Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, Oregon, (catalog) Bridge: Photographs by Robert Clarke-Davis, Jocelyn Nevel, and Patrick Nagatani, Adrain College, Adrain, Michigan The Social Lens: Photographs from the Ray Graham Collection, University Art Museum, University of New Mexico, Albuquerque, (catalog) The New World's Old World, curated by May Castleberry, The AXA Gallery, New York, New York (catalog) Elegy: Contemporary Ruins, curated by Katharine Smith-Warren, Museum of Contemporary Art/Denver, nine artists   2002 Polaroid: The New Mexico Connection, University Art Museum, University of New Mexico, Albuquerque Large Format Photography in New Mexico, 516 Magnifico Artspace, Albuquerque, New Mexico American Perspectives: Photographs From the Polaroid Collection, curated by Leslie K. Brown and Stacey McCarroll, Photographic Resource Center and the Boston University Art Gallery, Boston, MA The Photographic Edge, curated by Cal Kowal, Carl Solway Gallery, Cincinnati, Ohio Idea Photographic: After Modernism, curated by Steve Yates, Museum of Fine Arts, Santa Fe, New Mexico, (catalog) Recent Acquisitions, Los Angeles County Museum of Art, Los Angeles, CA Photo Fieldwork: The Southwest from Petroglyphs to Plazas, sponsored by the Friends of Archaeology, juried by Stuart Ashman, Governor's Gallery of the New Mexico State Capitol, Santa Fe, (honorable mention award), traveling exhibition Looking Back: Interactions, curated by Joseph Traugott, Museum of Fine Arts, Santa Fe, New Mexico RE: ACTION, Jan Weiner Gallery, Kansas City, Missouri   2001 Go Fish!, curated by Jane Fudge, Museum of Contemporary Art, Denver, Colorado High and Dry: A Photographic Exhibition of Arid and Semiarid Landscapes, and the People/Animals That Inhabit Them, juried by Craig Varjabedian, Texas Tech University, Lubbock, Texas (juror's award) Chair City, John Michael Kohler Arts Center, Sheboygan, Wisconsin Banned & Barred, BC Space, Laguna Beach, California Synesthesia: The Next Generation of Art, curated by Joyce Neimanas and Charles Van Gilder, Wood Street Gallery & Sculpture Garden, Chicago, Illinois Visibility and Invisibility in the Nuclear Era - The Atomic Photographers Guild, curated by Blake Fitzpatrick and Robert Del Tredici, Gallery TPW, Toronto, Canada, (catalog), traveling exhibition: The Art Gallery of Peterborough, Ontario, Canada Diefenbunker: Canada's Cold War Museum, Carp, Ontario Anna Leonowens Gallery, NSCAD, Halifax, Nova Scotia Museum London Is Seeing Believing - The Real, The Surreal, The Unreal in Contemporary Photography, curated by Dennis Weller and Janis Goodman, North Carolina Museum of Art, Raleigh, North Carolina and The Cummer Museum of Art and Gardens, Jacksonville, Florida, (catalog)   2000 American Perspectives: Photographs From the Polaroid Collection, Tokyo Metropolitan Museum of Photography, Tokyo, Japan, (catalog), traveling exhibiton: Museum (EKI) Kyoto, Japan Takamatsu City Museum of Art, Japan Museum of Contemporary Art, Sapporo, Japan Term Limits: Crafting a Discussion About New Mexico Art, curated by Joseph Traugott, Museum of Fine Art, Santa Fe, New Mexico, (catalog)   1999 The End of the Trail - Photographic Fin-De-Siecle Self Portrait, Andrew Smith Gallery, Santa Fe, New Mexico Arizona / New Mexico Invitational, GOCAIA (Gallery of Contemporary and Indigenous Art), Tucson, Arizona Artist's Choice: An Invitational Exhibition to Benefit Planned Parenthood, Richard Levy Gallery, Albuquerque, New Mexico New Mexico Two Thousand - A Juried Exhibition, jurors were Aline Brandauer, Joseph Traugott, Steve Yates, Museum of Fine Arts, Santa Fe, New Mexico, (catalog), juror's award The Altered Landscape: The Carol Franc Buck Collection, Nevada Museum of Art, Reno, Nevada, (catalog) Magnifico Honors Invitational Exhibit, 516 Magnifico Artspace, Albuquerque, New Mexico, 3 artists, (catalog) Retrospection 15, curated by Connie Gibbons, Buddy Holly Center, Fine Arts Gallery, Lubbock, Texas, (catalog) Cleavage: An Exhibition on the Breast, Jonson Gallery of the University of New Mexico Art Museum, Albuquerque, New Mexico Idea Photographic: New Mexico - Recent Work by Leading Artists, curated by Steve Yates, 516 Magnifico Artspace, Albuquerque, New Mexico, 11 artists   1998 The City Series: Albuquerque, Santa Fe, Taos, curated by Donald Doe and Lesley Wright, Cedar Rapids Museum of Art, Cedar Rapids, Iowa, (catalog) Telling Stories: Narrative Impulses in Contemporary American Photography, curated by Therese Mulligan, George Eastman House, Rochester, New York, (brochure) Vehicle: Art and Transportation in New Mexico, The Harwood Art Center, Albuquerque, New Mexico Part I and Part II, Carol Keller Gallery, Denver, Colorado Photography's Multiple Roles: Art, Document, Market, Science, curated by Denise Miller, Museum of Contemporary Photography, Columbia College, Chicago, Illinois, (catalog) Framed: An Invitational Show to Benefit Habitat for Humanity, Richard Levy Gallery, Albuquerque, New Mexico Holding Patterns: Selections from the Photography Collection of Arthur Goodwin, curated by Cathy Kimball and Mark Petr, San Jose Museum of Art, San Jose, California, (catalog) Faculty Choices, University Art Museum, University of New Mexico, Albuquerque   1997 smallest show on earth, Richard Levy Gallery, Albuquerque, New Mexico Digital Decisions, curated by Anita Douthat, Art Academy of Cincinnati, Ohio The Tie That Binds: Small Works From the Studio Faculty of the Department of Art and Art History at the University of New Mexico, Anderson Contemporary Art, Albuquerque, New Mexico The Prints of Albuquerque, curated by Ellen Landis, The Albuquerque Museum, New Mexico Collection D'oeuvres Photographiques-Programme du 2eme trimestre1997, Caisse Des Depots et Consignations, Paris, France, 7 artists Nuclear Cities, Bellevue Art Museum, Seattle, Washington, 4 artists Food Glorious Food- A Delectable Sampling of 20th Century and Contemporary Photographs Observing Our Passion With Food, Jackson Fine Art, Atlanta, Georgia Hope Photographs, curated by Alice Rose George and Lee Marks, The National Arts Club, New York, New York, (catalog)   1996 New Mexico and Beyond-A Group Show of Contemporary New Mexico Artists, The Harwood Art Center, Albuquerque, New Mexico, 8 artists Electrifying Art - An International Juried Exhibition of Computer Art, Santa Fe Community College, New Mexico This is a Set-Up: Fab Photo /Fictions, curated by Jacqueline S. Nathan and Lynn Whitney, Dorothy Uber Bryan Gallery, Bowling Green State University, Ohio, 9 artists, (catalog) History as Influence: Photographic Pluralism- American Work from New Mexico, curated by Steve Yates and Boris Mikhailov, Soros Center for Contemporary Art, Kyiv, Ukraine and Artists House, Gallery Up-Down, Kharkov, Ukraine, 63 works by 32 photographers Artists' Choice, Fine Arts Gallery, The College of Santa Fe, New Mexico, 12 artists The Faculty Show-Recent Works by University of New Mexico, Art & Art History Department Studio Faculty, University Art Museum, University of New Mexico, Albuquerque Telling Stories, curated by Paul Karabinis, The Jacksonville Museum of Contemporary Art, Jacksonville, Florida, 11 artists, (catalog) Kissing, curated by Marla Hamburg Kennedy, G. Ray Hawkins Gallery, Los Angeles, California, travelling exhibition, (catalog), traveling exhibition: Mitsukoshi Gallery, Tokyo, Japan Mitsukoshi Gallery, Nagoya, Japan G. Ray Hawkins Gallery, Santa Monica, California Camera Obscura Gallery, Denver, Colorado Yancey Richardson Gallery, New York, New York S.K. Josefsberg Gallery, Portland, Oregon Fay Gold Gallery, Atlanta, Georgia Halsted Gallery, Birmingham, Michigan Light Impressions, Rochester, New York Water, curated by Linda Walcott Moore, Photo Metro Gallery, San Francisco, California Multiple Affinities: A Convergence of Printmaking and Photographic Practice, CEPA Gallery, Buffalo, New York, 15 artists   1995 It's Only Rock and Roll-Rock and Roll Currents in Contemporary Art, curated by David S. Rubin, (catalog), traveling exhibition: Contemporary Arts Center, Cincinnati, Ohio Lakeview Museum of Arts and Sciences, Peoria, Illinois Virginia Beach Center for the Arts, Virginia Tacoma Art Museum, Washington Jacksonville Museum of Contemporary Art, Florida Bedford Gallery at the Regional Center for the Arts, Walnut Creek, California Phoenix Art Museum, Arizona North Carolina Museum of Art, Raleigh Lowe Art Museum, Coral Gables, Florida Milwaukee Art Museum, Wisconsin Arkansas Art Center, Little Rock MassMoCA, North Adams, Massachusetts Asahi Shimbun Cultural Project (4 Japanese venues) Art Lives/Art Lives, curated by Joseph Traugott and Linda Tyler, Jonson Gallery, University of New Mexico, Albuquerque, (catalog) Originals and Unique Editions, Leedy Voulkos Gallery, Kansas City, Missouri Latent August: The Legacy of Hiroshima and Nagasaki, curated by Robert Hanamura, produced by the National Japanese-American Historical Society, Pier One, Fort Mason Center, San Francisco, California, (catalog) 50 Years Hiroshima, curated by Clayton Campbell and Barbara T. Smith, The New Gallery at 18th Street Arts Complex, Santa Monica, California West Art and the Law, curated by Kevin Consey, Lawrence Fleischman and Robert Knight, (catalog) traveling exhibition: David L. Lawrence Convention Center, Pittsburgh, Pennsylvania J.R. Thomson Center, Chicago, Illinois University Gallery, University of Florida, Gainesville, Florida Nevada Museum of Art, Reno, Nevada Springfield Art Museum, Springfield, Ohio Six Views of Internment: E.O. 9066, Remembering the Past, Looking Towards the Future, organized by the Community Redevelopment Agency of the City of Los Angeles, through the Little Tokyo Cultural Arts Fund, George J. Doizaki Gallery, Japanese-American Cultural & Community Center, Los Angeles, California, Japanese-American Concentration Camps, 125 photographs Landscape Invitational, Jan Weiner Gallery, Kansas City, Missouri Peace Art Show: Atomic Synthesis & Social Fallout from New Mexico USA, curated by Thomas Powell, (brochure), traveling exhibition: Mesa Public Library, Los Alamos, New Mexico South Broadway Cultural Center, Albuquerque, New Mexico Gallery New Kuwamoto, Hiroshima, Japan Gallery Gumino le, Nagasaki, Japan International Christian University, Peace Research Institute, Tokyo, Japan The Subject is Architecture, curated by Kathleen Howe, University Art Museum, University of New Mexico, Albuquerque   1994 VI Fotobienal - Vigo 94: Real Like a Photograph, organized by Manuel Sendon and Xose Luis Suarez Canal, Vigo, Spain, (catalog) Empowered Images, (A Cultural Presentation of the United States of America), curated by Dextra Frankel, sponsored by the United States Information Agency, traveling exhibition, 9 artists, (catalog, essay by Sandy Ballatore) Global Environment, Houston FotoFest, Houston, Texas Slice of Life: Contemporary Still Lifes, Riverside Art Museum, Riverside, California Selections from the Permanent Collection: Fictions, curated by Trudy Wilner Stack, Center for Creative Photography, The University of Arizona, Tucson, Arizona "4 X 4", curated by Steve Yates, Museum of New Mexico, Santa Fe, New Mexico, 8 artists, (catalog) Homeland: Use and Desire, curated by Jeffrey Keough, Michele Furst, and Johanna Branson, Massachusetts College of Art, Boston, Massachusetts, 6 artists, (catalog) Stealth, curated by Sean Elwood, Seafirst Gallery, Columbia Seafirst Center, Seattle, Washington   1993 In Close Quarters: American Landscape Photography Since 1968, curated by Toby A. Jurovics, The Art Museum Princeton University, New Jersey, (brochure) Art of this Century, University Art Museum, The University of New Mexico, Albuquerque, New Mexico, (catalog) Crossing Territories, curated by Jay Rabinowitz, Museum of Fine Arts, Santa Fe, New Mexico Renewing Our Earth/ The Artistic Vision: Art and the Environment-An Exhibition by American Artists, curated by Nancy L. Pressly, United States Pavilion, Taejon International Expo '93, Taejon, Korea, (catalog) Breda Fotografica '93, De Beyerd, Breda, The Netherlands, (collaborative and Nuclear Enchantment images) Visions of Our Environment, Perkins Center for the Arts, Morrestown, New Jersey Forest of Visions, curated by Stephen C. Wicks, Knoxville Museum of Art, Knoxville, Tennessee, (catalog), (collaborative and Nuclear Enchantment images), traveling exhibition: Cheekwood Tennessee Botanical Gardens and Museum of Art Samuel P. Harn Museum of Art, University of Florida, Gainesville Schneider-Bluhm-Loeb Gallery, four person exhibition, Chicago, Illinois The Mediated Image, University Art Museum, University of New Mexico, Albuquerque, (brochure) Survival in the Technological World, Blandon Memorial Art Museum, Fort Dodge, Iowa Art of Albuquerque, The Traveling Art Gallery, Albuquerque, New Mexico, (bus panel design for Sun Tran)   1992 California: The Cultural Edge, curated by Betsy Jablow, The Directors Guild of America, Los Angeles, California Americas, curated by Berta Sichel, Monasterio de Santa Clara, Moguer (Huelva), Spain, (catalog) On Death/La Muerte, Bridge Center for Contemporary Art, El Paso, Texas Too Hot to Handle: Art and Nuclear Issues, Copeland-Rutherford Gallery, Santa Fe, New Mexico, 6 artists, organized by Through the Flower Our Town, Burden Gallery, New York, New York, (catalog) 21 Steps, Jonson Gallery, The University of New Mexico, Albuquerque, curated by Joseph Traugott and Jeffrey Ryan, (catalog-cover image) New Acquisitions, New Work, New Directions, curated by Robert Sobieszek, Los Angeles County Museum of Art, Los Angeles, California, SOMETHING'S OUT THERE, Danger in Contemporary Photography, curated by David Gallagher and Robert McCracken, National Arts Club, New York, New York (catalog) The Southwest: Ten Contemporary Photographers, organized by Jim and Mary Alinder, Alinder Gallery, Gualala, California West Art & the Law, St. Paul, Minnesota, traveling exhibition, (catalog)   1991 Influences, organized by Diane Green, The Art Center, Waco, Texas Twenty-one Photographers from New Mexico, curated by Van Deren Coke,Vision Gallery, San Francisco, California, (brochure) Cinematic Effects, curated by Margaret Mathews Berenson, Lintas Worldwide, New York, New York* Animal Images, Jan Weiner Gallery, Kansas City, Missouri Short Stories, curated by Camille Pascal, Graham Gallery, Albuquerque, New Mexico, Cause & Effect - Artists' Responses to Political Conflict, curated by Kathryn Funk, San Jose Institute of Contemporary Art, San Jose, California   1990- Bombensicher - Erste Europaische Ausstellung der Atomic Photographers Guild, coordinated by Albert 1991 Kunze, The World Uranium Hearing, Germany, (catalog), traveling exhibition: NGBK Gallery (Neue Geschellschaft fur Bildende Kunst), Berlin, Germany Rathaus, Kiel, Germany IPPNW German Congress, Bonn, Germany Volkshochschule, Munich, Germany Volkshochschule, Ulm, Germany WIR Projekt, Burladingen, Germany 1990 Playing With Fire - Six New Mexico Artists Working With Nuclear Issues, curated by Robert B. Gaylor and Diane Armitage, The Center for Contemporary Arts of Santa Fe, New Mexico, (catalog) 1 + 1: Collaboration in Contemporary Photography, curated by Jim Dozier, Film in the Cities Gallery, St. Paul, Minnesota, (catalog) Appropriation/Transformation,10 artists and other works, curated by Joseph Traugott, Jonson Gallery, University of New Mexico, Albuquerque, (catalog) Picture Perfect, Alinder Gallery, Gualala, California Golden Pool - Asian/Pacific American Perspective, curated by Betty L. Wan, Los Angeles Photography Center, California, (poster) Shoot the Earth: Portrait of a Planet Whirling On, Alinder Gallery, Gualala, California Urban America: A Retrospective (1907-1989), College of Santa Fe, New Mexico Educational Steps/TheWorks of Ten Instructors and Their Students, Gallery at the Rep, Santa Fe Center for Photography, New Mexico American Art Today: The City, curated by Dahlia Morgan, Art Museum at Florida International University, Miami, Florida   1989- Das Konstruierte Bild, curated by Michael Kohler, Kunstverein Munchen, Germany, (catalog), 1990 traveling exhibition: Kunsthalle Nurnberg Forum BottcherstraBe Bremen Badischer Kunstverein Karlsruhe West/Art & The Law - An Exhibition of Work by Contemporary Artists Interpreting the Law and Society in Our Times, (catalog), traveling exhibition: University Museum, Arkansas State University, Jonesboro Robert I. Kahn Gallery, Houston, Texas Minnesota Museum of Art, Landmark Center, St. Paul, Minnesota 1989 Fire! Sites: Defense, Deterrence, Bargaining Chips, six photographers, curated by Denise Miller-Clark, The Museum of Contemporary Photography, Columbia College, Illinois L'Invention d'Un Art, curated by Alain Sayag and Jean-Claude Lemagny, Musee National d'Art Moderne, Centre Georges Pompidou, Paris, France, (catalog) Symbol and Surrogate: The Picture Within, curated by Diana Schoenfeld, University of Hawaii Art Gallery, Honolulu, Hawaii, (catalog) Picturing California: A Century of Photographic Genius, curated by Therese Heyman, The Oakland Museum, California, (catalog) The Photography of Invention: American Pictures of the 1980's, curated by Joshua Smith and Merry A. Foresta, National Museum of American Art, Smithsonian Institute, Washington, D.C., (catalog), traveling exhibition: The Museum of Contemporary Art, Chicago, Illinois The Walker Art Center, Minneapolis, Minnesota Fantasies, Fables and Fabrications: Photoworks From the 1980's, curated by Michael Koblyn, (catalog), traveling exhibition: Delaware Art Museum Herter Art Gallery, University of Massachusetts, Amherst Lamont Gallery, Phillips Exeter Academy University of Missouri, Gallery of Art, Kansas City Museum of Contemporary Photography, Antwerp, Belgium Museum of Contemporary Art, Villes Neuve D'Arc, France Museum of Contemporary Art, Florence, Italy Fictive Strategies - Actuality and Originality in Contemporary Photography, organized by Joseph Rauch, The Squibb Gallery, Princeton University, New Jersey, (catalog) Centennial Exhibition of Faculty Work, University Art Museum, University of New Mexico, Albuquerque Photography & Performance, five artists, curated by Anita Douthat, Photographic Resource Center at Boston College, Boston, Massachusetts, (image on poster, catalog, artist book) Nine American Photographers in New Orleans, A Gallery for Fine Photography, New Orleans The Centennial Suite, Tamarind Institute, Albuquerque, New Mexico, Art Department studio faculty invitational lithograph portfolio and exhibition 1988- Selections 4, curated by Mark Haworth-Booth, Polaroid Gallery, Photokina 88, Cologne, Federal 1989 Republic of Germany, (catalog), traveling exhibition: Musee de l'Elysee, Lausanne, Switzerland Victoria and Albert Museum, London, England Kunsthalle, Hamburg, Federal Republic of Germany Museo de Arte Contemporaneo de Caracas, Venezuela   1988 New Photographics Invitational, Central Washington University, Ellensberg, Washington, twelve artists, traveling exhibition: Blue Sky Gallery, Portland, Oregon Statements, Fine Arts Gallery, New Mexico State Fairgrounds, Albuquerque, juried exhibition of sixteen artists, (brochure and installation) Collaborations, curated by Mark Johnstone and Tressa R. Miller, Gallery at the Plaza, Security Pacific Corporation, Los Angeles, California, (catalog) Two to Tango, Collaboration in Recent American Photography, International Center of Photography, New York, New York, (catalog), traveling exhibition: Center for the Fine Arts, Miami, Florida Photography on the Edge, curated by Dr. Curtis Carter, The Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, (catalog) New Surrealism or, the Fiction of the Real, curated by Kathleen Kenyon, The Center for Photography at Woodstock, New York, (catalog) Poetic Injury: The Surrealist Legacy in Postmodern Photography, The Alternative Museum, New York, New York, (catalog) essays by Suzaan Boettger, G. Roger Denson and Rosalind Krauss* L.A. Hot and Cool: The Eighties, curated by Dana Friis-Hansen, MIT List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Massachusetts, (catalog) Visions '88: A Survey of New Mexico Fine Art Photography, Fine Arts Gallery, New Mexico State Fairgrounds, Albuquerque, New Mexico   1987 Greater Than or Equal to 30"X40", Jayne H. Baum Gallery, New York, New York American Color, curated by Jim Featherstone, University Art Gallery, New Mexico State University, Las Cruces, traveling exhibition Arrangements for the Camera: A View of Contemporary Photography, curated by Jan Howard, Baltimore Museum of Art, Baltimore, Maryland   1986 Poetics of Space, curated by Steven A. Yates, Museum of New Mexico, Santa Fe, New Mexico 50 Years: Modern Color Photography1936-1986, curated by Manfred Heiting, Photokina 86, Cologne, Federal Republic of Germany, (catalog) Contemporary American Photography Part I; Exhibition 3, Gallery Min, Tokyo, Japan Selections 3, curated by Erika Billeter, Polaroid Gallery, Photokina 86, Cologne, Federal Republic of Germany, (catalog), traveling exhibition: Museum fur Kunst und Gewerbe, Hamburg, Germany Munchener Stadtmuseum, Munich, Germany The National Museum for Photography, Film and Television, Bradford, England With the Land: A Photographic Survey, curated by Marsha Red Bailey and Ellen Manchester, University Art Gallery, Sonoma State University, Rohnert Park, California Photographic Fictions, curated by Ronnie Feinstein, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut Photomosaics: The Landscape Reconstructed, curated by Anita Douthat, Photographic Resource Center at Boston University, Boston, Massachusetts, (brochure) East/West: Contemporary Asian-American Art in Los Angeles, curated by Mary MacNaughton, Montgomery Gallery, Pomona College, Claremont, California, (catalog) Before the Camera: A Selection of Contemporary Studio Tableaux, curated by Charlie Stainback, Burden Gallery, New York, New York, (brochure)   1985 The Colored Image: Hand-Applied Color in Photography, curated by David Featherstone, Friends of Photography, Carmel, California Imagine There's A Future, curated by Deborah Irmas, U.S. C. Atelier Gallery, Santa Monica, California* Off The Street, curated by Fritz A. Frauchiger, Old City Print Shop, Los Angeles, (catalog) Celebrating Two Decades in Photography: Recent Work by UCLA/MFA Recipients, curated by Lucinda Gedeon, The Grunwald Center for the Graphic Arts, Frederick S. Wight Gallery, University of California, Los Angeles, (catalog) Contemporary America: PERSPECTIVES, Black Gallery, Los Angeles, California, 5 photographers   1984 Los Angeles and the Palm Tree - Image of a City, curated by Fritz A. Frauchiger, Arco Center for Visual Art, Los Angeles, (catalog) Selections 2, curated by Alain Sayag, Polaroid Gallery, Photokina 84, Cologne, Federal Republic of Germany, (catalog) What's Happening: Contemporary Art From California, Oregon, Washington, curated by Gino Rodriguez, The Alternative Museum, New York, New York, (catalog) Contemporary Constructs; 20 Los Angeles Photographers, curated by Dinah Berland and David Fahey, Los Angeles Center for Photographic Studies, Los Angeles, (brochure) Photography in California:1945 - Present, curated by Louise Katzman, San Francisco Museum of Modern Art, San Francisco, California, (catalog), traveling exhibition: Akron Art Museum, Akron, Ohio The Corcoran Art Gallery, Washington, D.C. Los Angeles Municipal Art Gallery, Barnsdall Park, California Herbert F. Johnson Museum of Art, Cornell University, Ithica, New York The High Museum of Art, Atlanta, Georgia Museum Folkwang, Essen, Germany Musee National d'art moderne, Centre Georges Pompidou, Paris, France Museum of Photographic Arts, San Diego, California   1983 The Big Picture, curated by Barbara Hitchcock and Arthur Ollman, Museum of Photographic Arts, San Diego, California Hand Colored Photographs, Jayne H. Baum Gallery, New York, New York The Alternative Image II, curated by Anita Douthat, John Michael Kohler Arts Center, Sheboygan, Wisconsin, (catalog) Ten California Photographers, Sarkis Galleries and Yamasaki Gallery, Center for Creative Studies, Detroit, Michigan   1982 Inquiry, Grunwald Center for the Graphic Arts, Frederick S. Wight Gallery, University of California, Los Angeles Unseen Light, Buscaglia-Castellani Art Gallery and CEPA Gallery, Niagara University, Niagara Falls, New York Contemporary California Hand-Colored Photography, Palos Verdes Community Art Center, Palos Verdes, California Studio Work: Photographs by Ten Los Angeles Artists, curated by Kathleen Gauss, Los Angeles County Museum of Art, California, (catalog) West Coast Photography, Fine Arts Gallery, Cypress College, Cypress, California Lately in L.A., WPA (Washington Project for the Arts), Washington, D.C. The Georgia Power Company Corporate Photography Collection, Fay Gold Gallery, Atlanta, Georgia   1981 California Colour, Photographer's Gallery, London, England, (catalog) Contemporary Color, Tortue Gallery, Santa Monica, California Contemporary Hand Colored Photographs, curated by Georgiana Legoria, De Saisset Museum, University of Santa Clara, California, (catalog) Recent Work, Friends of Photography, Carmel, California Multicultural Focus: A Photography Exhibition for the Los Angeles Bicentennial, Los Angeles Municipal Art Gallery, Barnsdall Park, California, (catalog) Verbatim: Light Dialogues, Grossmont College Gallery, El Cajon, California Photofusion, Pratt Manhattan Center Gallery, Pratt Institute, New York, New York, (catalog)   1980 New Work, Skidmore College Art Gallery, Saratoga, New York Sherie Scheer and Patrick Nagatani - Photography from America, Ufficio Dell' Arte/Creatis Galerie, Paris, France Photography - 4 Artists, Art Space, Santa Monica, California In Focus, Los Angeles Art Association Galleries, California 8 X 10, Susan Spiritus Gallery, Newport Beach, California Emerging Artists / UCLA, M.F.A. exhibition, Frederick S. Wight Gallery, University of California, Los Angeles, (catalog) Show 5 - Five Los Angeles Artists, Los Angeles County Museum of Art, Art Rental Gallery, California First Person Plural - Using One's Self As A Source, Los Angeles Harbor College Art Gallery, Wilmington, California   1979 Spectrum, New Directions in Color Photography, University of Hawaii Art Gallery, Honolulu, Hawaii, (catalog), traveling exhibition: Washington State University, Pullman, Washington Tyler Museum of Art, Tyler, Texas Virginia Beach Art Center, Virginia Beach, Virginia Claremont University, Claremont, California Georgia Museum of Art, Athens, Georgia Recent Color Photographs by Peter de Lory, John Divola, Patrick Nagatani, MoMing Gallery, Chicago, Illinois Perception - A Field of View, Jurors Award from Betty Hahn, Duane Michaels, David Travis, Los Angeles Center for Photographic Studies, California, (catalog) Attitudes: Photography in the 1970's, Santa Barbara Museum of Art, California, (catalog) A Selection of Color Photographs, Cirrus Gallery, Los Angeles, California Contemporary Photography inSouthern California, Pasadena City College Art Gallery, Pasadena, California Photographic Directions: Los Angeles,1979, Security Pacific Bank Gallery, Los Angeles, California, (catalog)   1978 Erotica, Soho / Cameraworks Gallery, Los Angeles, California f / 2.8, Libra Gallery, Claremont Graduate School, Claremont, California   1977 New Photographics - 77, Central Washington State College, Ellensburg, Washington Light II, Humboldt State University, Arcata, California   1976 1976 Member's Exhibition, Friends of Photography, Carmel, California SELECTED GRANTS AND AWARDS: 2003 Governor's Award for Excellence in the Arts, New Mexico   2000 Faculty Research Grant (RAC), University of New Mexico   1998 Aaron Siskind Foundation, Individual Photographer's Fellowship   1997 Regents' Professorship, University of New Mexico   1995 College of Fine Arts Faculty Research Grant 1995 Faculty Research Grant (RAC), University of New Mexico   1992-93 National Endowment for the Arts, Visual Artist Fellowship   1992 Kraszna-Krausz Award, Photographic Book Innovation Award for Nuclear Enchantment, the Kraszna-Krausz Foundation   1991 Outstanding Faculty Award, College of Fine Arts, University of New Mexico   1988 & 90 Faculty Research Grant (RAC), University of New Mexico   1988 The Leopold Godowsky Jr. Color Photography Award, for the geographical area of the U.S.A. and Canada   1988 California Distinguished Artist Award, National Art Education Association Convention, The Museum of Contemporary Art, Los Angeles, one of sixteen artists selected for distinguished work and service in California for 1987   1987 Community Redevelopment Agency of Los Angeles, Art Waves competition and exhibition finalist. 10 artists commissioned to produce banners for future development project   1983-90 Polariod Fellowships   1986 Brody Arts Fund (California Community Foundation) Fellowship   1984-85 National Endowment for the Arts, Visual Artist Fellowship   1982-83 California Arts Council Artist-In-Residence grant, site sponsor-Japanese American Community Cultural Center, Los Angeles   1981 & 83 Faculty Research Grant, Loyola Marymount University, Los Angeles   1979 Ford Foundation Travel Grant, University of California, Los Angeles SELECTED PUBLIC COLLECTIONS: Albuquerque Museum, Albuquerque, New Mexico Baltimore Art Museum, Baltimore, Maryland Bayly Art Museum, University of Virginia, Charlottesville, Virginia Bibliotheque Nationale, Paris, France Center for Creative Photography, University of Arizona, Tucson, Arizona Centre Pompidou, Paris, France Cincinnati Art Museum, Cincinnati, Ohio Continental Insurance, New York, New York The Columbus Museum, Columbus, Georgia Chrysler Museum of Art, Norfolk, Virginia Denver Art Museum, Denver, Colorado George Eastman House, Rochester, New York Georgia Power Company, Atlanta, Georgia Graham Nash Collection, Los Angeles, California Grunwald Collection, University of California Los Angeles Hallmark Collection, Kansas City, Missouri Hawaii Cultural Institute, Honolulu, Hawaii History of Photography Museum, Moscow, Russia Honolulu Advertiser, Honolulu, Hawaii International Center for Photography, New York, New York International Museum of Photography, George Eastman House, Rochester, New York Japanese American National Museum, Los Angeles, California Joslyn Art Museum, Omaha, Nebraska Los Angeles County Museum of Art, Los Angeles, California Loyola Marymount University, Los Angeles, California Massachusetts College of Art, Boston, Massachusetts Metropolitan Museum of Art, New York, New York Microsoft Corporation, Redmond, Washington Minneapolis Institute of the Arts Monterey Peninsula Museum of Art, Monterey, California Museum of Contemporary Photography, Chicago, Illinois Museum of Fine Arts, Houston, Texas Museum of New Mexico, Santa Fe, New Mexico Museum of Photographic Arts, San Diego, California Nevada Museum of Art, Reno, Nevada Newport Harbor Art Museum, Newport Beach, California Oakland Museum, Oakland, California Ohio University, Athens, Ohio Polaroid Collection, Cambridge, Massachusetts Portland Art Museum, Portland, Oregon Prudential Insurance Company of America, Newark, New Jersey Roswell Museum, Roswell, New Mexico Saint Louis Art Museum, St. Louis, Missouri Security Pacific Collection, Los Angeles, California Shearson/American Express, New York, New York State Russian Museum, St. Petersburg, Russia Tampa Museum of Art, Tampa, Florida Tokyo Institute of Polytechnics, Tokyo, Japan University Art Museum, University of New Mexico, Albuquerque University of Virginia Art Museum, Charlottesville, Virginia William L. Clements Library, University of Michigan, Ann Arbor, Michigan 2001 Is Seeing Believing - The Real, The Surreal, the Unreal in Contemporary Photography, catalog, North Carolina Museum of Art, Raleigh, North Carolina, Dennis P. Weller and Janis Goodman, pp. 44-47, 1 b&w reproduction and 2 color reproductions   2000 Albuquerque Journal, Arts +Culture, Despite controversial public arts projects, artists have a strong start into the 21st Century, Wesley Pulka, January 2, 2000, pp. F-1 and F-4, b&w portrait Seizing the Light: A History of Photography, The McGraw-Hill Companies, Robert Hirsch, pp. 445-452, color reproduction   1999 Quantum, Research, Scholarship, and Creative Works, magazine, University of New Mexico, Creating Reality: Professor of Photography Patrick Nagatani is challenging how photography can create, recreate, support a history, and function as documentary - whether real or imagined, Valerie Roybal, pp. 12-14, feature, Fall 1999, 3 color reproductions and 3 b&w reproductions Art Exhibitions 1999-2000, catalog, Curatorial Assistance, Pasadena, California, Ryoichi / Nagatani Excavations, p. 37, 3 color reproductions New Mexico Two Thousand- A Juried Exhibition, catalog, Museum of Fine Arts, Santa Fe, p. 52, b&w. reproduction The Altered Landscape, University of Nevada Press, Edited by Peter E. Pool, essay by Thomas W. Southall, pp. 39-40 and pp. 106-109, 5 color reproductions Retrospection 15, catalog, Buddy Holly Center, Lubbock, Texas, color reproduction Why Albuquerque? An Inquiry Into Art and Place, catalog, The Albuquerque Museum of Art and History, Albuquerque, New Mexico, essay by Kathleen Whitney, p. 3 and p. 55, b&w reproduction An American Century of Photography: From Dry-Plate to Digital, Halmark Cards, inc., Kansas City, Missouri, Keith F. Davis, p. 434, color reproduction Albuquerque Journal, Arts +Culture, Truly Magnifico! - Annual Exhibit Honors Local Artists' talent, Community Service, David Steinberg, September 1999, pp. F-1 and F-3, 2 b&w reproductions New Mexico Photographer, Annual Photography Contest, catalog-magazine, Eastern New Mexico University, Portales, New Mexico, Summer 1999, juror's statement by Patrick Nagatani, p. 9 New Mexico Magazine, Patrick Nagatani-Photographic Fallout, Brendan Doherty, February 1999, pp. 42-45, 5 color reproductions   1998 Vehicle: Art and Transportation in New Mexico, catalog, The Harwood Art Center, Albuquerque, and Plan B, Santa Fe, Patrick Nagatani, Archaeology/Transportation -Whose Time?, p. 12, b&w reproduction Photography's Multiple Roles: Art, Document, Market, Science, Museum of Contemporary Photography, Columbia College, Chicago, Illinois, Distributed Art Publishers, Inc., edited by Denise Miller, essay by F. David Peat, Photography + Science: Conspirators, pp. 160-163, color reproduction The Denver Post, Art Shows, Poking Fun With Photos- Buried Cars Rev Up Exhibit for Gallery - Center's Debut, Jeff Bradley, review, October 16, 1998, p. 24E, 2 b/w reproductions Rocky Mountain News, Art, A Picture-Perfect Debut: Multiple Layers: Covered and Uncovered, Mary Voelz Chandler, review, September 25, 1998, b&w reproduction Cedar Rapids Gazette, Visual Arts Reviews, C.R. Museum's 'City Series' Celebrates Art of New Mexico, Jake Stigers, review, September 27, 1998 Des Moines Sunday Register, The Arts, The Big Show at C.R. - The Latest Exhibit in the Cedar Rapids Museum's City Series is 'Astounding', Joan Burke, review, September 20, p. 5Q, b&w reproduction The City Series: Albuquerque, Santa Fe, Taos, catalog, Cedar Rapids Museum of Art, Iowa, color reproduction Holding Patterns: Selections from the Photography Collection of Arthur Goodwin, catalog, San Jose Museum of Art Photography, sixth edition, Addison-Wesley Educational Publishers, Inc., Barbara London and John Upton, p. 369, color reproduction   1997 Albuquerque Tribune, (Prints of Albuquerque Project), Playing with Facts, T.D. Mobley-Martinez, pp. B-1 and B-6, feature, October 31, 1997, 1 color reproduction and color portrait The Lure of the Local: Senses of Place in a Multicentered Society, The New Press, New York, New York, Lucy R. Lippard, pp. 174-175, b&w reproduction Eastsideweek, Arts & Leisure, BAM the bomb; An exhibit takes on the still - fiery leftovers of the Cold War, Tom McTaggart, review, March 19, 1997, pp. 15-17, 2 color reproductions The Myth of Santa Fe - Creating a Modern Regional Tradition, University of New Mexico Press, Albuquerque, Chris Wilson, pp. 320-321, b&w reproduction   1996 THE Magazine, New Mexico and Beyond, Carlos Esquibel, review, December 1996, p. 53 Kamepa-obckypa (Camera Obscura), (Russian Publication), The School of Patrick Nagatani, Steve Yates, No. 1 1996, pp. 32-35, 6 color reproductions The Albuquerque Tribune, A Splash of New Mexico's Premier Artists, T.D. Mobley-Martinez, review, Friday, November 22 1996, p. B1 & B7 New Mexico Historical Review, Constricted Landscapes: The Japanese-American Concentration Camps, A Photographic Essay, Ferenc M. Szasz and Patrick Nagatani, Volume 71, Number 2, April, pp. 157-187, color cover reproduction, 20 b&w reproductions This is a Set-Up: Fab Photo / Fictions, brochure, Bowling Green State University, Ohio, color reproduction Telling Stories, catalog, The Jacksonville Museum of Contemporary Art, essays by Paul Karabinis, color reproduction Spectrum, Artistic Social Commentary: New Exhibits at CEPA, Monique Fortunato, review, Monday, February 5, 1996 The Arizona Republic, Nuclear Death Never Looked so Flashy, Richard Nilsen, review, February 18, 1996 b&w reproduction The Kansas City Star, Nagatani and Shimomura, Alice Thorson, review, February 9, 1996, pp. 1 & 21, b&w reproduction Artweek, Memo From L.A., Victoria Martin, March, p. 4 NCFE Bulletin (National Campaign for Freedom of Expression), Censorship News & Updates, Winter, p. 3 Pasadena Star-News / San Gabriel Valley Tribune, Opinion Section, Evolving View of MTA Follies (editorial), Tuesday, January 30, p. A6 The Rafu Shimpo, Artistic Cover-Up: Patrick Nagatani experiences censorship first-hand when his public mural at the MTA Headquarters is covered up by a city employee, Julie Ha, No. 27291, Wednesday, January 24, 1996, p. 1, 2 b&w reproductions Los Angeles Times, Metro Section, MTA Chief Orders Mural Uncovered, Richard Simon, January 20, 1996, pp. B1 & B8 Los Angeles Times, Metro Section, Art Buffs Back Buff Art, Richard Simon, January 19, 1996, pp. B1 & B6, 2 color reproductions   1995 Immagine Cultura (Italian publication), The Cold War in 'Nuclear Enchantment' by Patrick Nagatani, Maria Antonnella Pellizzari, Numero 3, Dicembre 1995, pp. 44-47, 6 color reproductions Luna Cornea, (Mexican publication), Subversion Encantada: El Tiempo, El Honor y el Tema en la Fotografia Contemporanea, James Crump, Numero 7, 1995, pp. 64-73, 2 b&w reproductions Fotologia, (Italian publication), The Ansel Adams Friend of Photography, San Francisco, Maria Antonella Pellizzari, Autunno/Inverno 1995, pp. 78-83, color reproduction A Fotografia Na Arte Contemporanea, (Spanish publication), Catro Fotografos Contemporaneos de Novo Mexico, Ellen J. Landis, pp. 61-73 (English), pp. 75-87 (Spanish), b&w reproduction Photofile, (Australian publication), Glints From a Dark Room - Patrick Nagatani's 'Novellas'", Maria Antonella Pellizzari, #46 November 1995, pp. 40-41, 2 color reproductions Kissing: Photographs of the Wonderful Act of Kissing, Graystone Books, Marina Del Rey, California, edited by Maria Hamburg Kennedy and Susan Martin, p. 61, color reproduction The Albuquerque Tribune, Insights Section, House of Secrets; Apartment 4 at 209 High Street in Albuquerque where atomic bomb secrets were divulged to Soviet spies in 1945, Brendan Doherty, Wednesday, August 30, 1995, p. C2, b&w reproduction Peace Art Show: Atomic Synthesis & Social Fallout From New Mexico USA, brochure, Subtle Messages, Joe Traugott, b&w reproduction New Times, A&E Reviews, Aspects of Chance, Roberta Lord, review, b&w reproduction Art Now Gallery Guide, Chicago/Midwest, Patrick Nagatani at Schneider Gallery, February 1995, p. 5, color cover reproduction and color reproduction   1994 The Press Enterprise, Exhibit Captures Range of Still Life Genre, Devorah Knaff, review, Sunday, October 30,1994, section C-2 The Press Enterprise, Two Shows add 'layers' to Photo Art, Devorah Knaff, review, Friday, September 16, 1994, pp. AA & 21, b&w reproduction Gainesville Sun, Array of Visions in the Galleries, Sara Olson, review, June 10 1994 Hot Off The Press, Prints & Politics, Contextually Loaded- A Conversation with Patrick Nagatani, Clinton Adams, published for Tamarind Institute by the University of New Mexico Press, pp. 95-105, 3 b&w reproductions   1993 Sierra, The Magazine of the Sierra Club, Dreams Die Hard, Phillip A. Greenberg, November/December, p. 84, color reproduction Ilford Photo, Instructor Newsletter, We Must Make This World Worthy of its Children, Patrick Nagatani, Issue No. 10, Fall 1993, article on pp. 6-7, 2 color reproductions on front and back cover Santa Fe Reporter, Great Photographers of New Mexico-Showcase 1993, publicity page for Andrew Smith Gallery, August 25-31, Volume 19, Issue 10, back cover, 2 b&w reproductions Zondag, (German Publication), Breda Deze Zomer Fotostad, July 4, cover, color reproduction American Photo, ABSOLUT and Photographers + Friends United Against AIDS Portfolio, advertisement, May/June 1993, pp. 33-34, color reproduction THE Magazine, The Universe of Patrick Nagatani, May 1993, pp. 6-7, 3 b&w reproductions Courier Post, Artists Present Varying Visions of Environment, Robert Baxter, review, April 23, p. 79, 2 b&w reproductions Chicago Tribune, Nagatani Creates 'Fakeness' to Address Real Issues, Larry Thall, review, April 16, b&w reproduction Forest of Visions, catalog, Knoxville Museum of Art, Knoxville, Tennessee, Stephen C. Wicks, pp. 40-47, 4 color reproductions Crosswinds, Nuclear Enchantment, Eugenia Parry Janis (excerpts from book Nuclear Enchantment), March, pp. 14-15, 3 color reproductions Art Education, Art and The Environment: A Sense of Place, Jeffrey York, Suzan Harris, Carson Herrington, January, pp. 27-28, color reproduction   1992 Art Business News, Series of 'Waterless' Lithographs Shown, December, p. 18, color reproduction THE Magazine, review of Richard Levy Gallery exhibition, Mark Van de Walle, December, p. 37, b&w reproduction Americas, (Spanish catalog), Monasterio Santa Clara, Moguer, (Huelva), Spain, Berta Sichel, p. 54, b&w reproduction 21 Steps , catalog, Jonson Gallery, The University of New Mexico, Albuquerque, color reproduction on cover Popular Photography, Wow! A showcase for spectacular images and how they were made, Pete Kolonia, August, pp. 52-53, color reproduction THE Magazine, Disenchanting Times: A Reflection, Samuel Larcombe, image book review, July, 3 color reproductions Camera & Darkroom, book review, Nuclear Enchantment Photographs by Patrick Nagatani, Dean Brierly, June, p. 9, color reproduction Camera & Darkroom, The East Comes West: Japanese Photography in the U. S. Today, A. D. Coleman, June, p. 27, 2 color reproductions Call and Post, Photographer Explores Nuclear Weaponry, K.I. Pedizisai, review, May 1992 SOMETHING'S OUT THERE: Danger in Contemporary Photography, catalog, The National Arts Club, New York, New York, David Gallagher and Robert McCracken, p. 11, color reproduction Arts Magazine, Patrick Nagatani, New York Reviews, Robert Mahoney, review, March, pp. 82 & 83, b&w reproduction Newsletter, Nagatani / Tracey, Polaroid Camera Offers Unique Look at Life, Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, Winter, 1992, Vol. 6, No. 1, b&w reproduction In These Times, Nuclear Enchantment: More Bang for Your Book, Will Nixon, January 22-28 color image   1991 The Milwaukee Journal, Photo Artists Tackle the Apocalypse With a Sense of Humor, James Auer, review, Sunday, December 8, pp. E1 & E2 The New York Times, Art in Review, Charles Hagen, review, Friday, December 6, C32 The New York Times, book review, Nuclear Enchantment, Photographs by Patrick Nagatani, Essay by Eugenia Parry Janis, University of New Mexico Press, Peter B. Hales, December 1 Collaborative Photography by Patrick Nagatani and Andree Tracey: Visions of Nuclear Apocalypse, brochure, Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, essay by Curtis L. Carter, color reproduction and b&w reproductions Mother Jones, Previews, Creatures of Nuclear Night, Margaret Talbot, November/December, pp. 67-68 American Photo, In Camera; See It Now: Exhibitions, November/December, color reproduction University of New Mexico Press, catalog, Fall 1991, page 1 b&w reproduction, front cover color image Albuquerque Journal, Art Breathes Life Into Death, Dying, David Bell, October 24 Albuquerque Tribune, Insights Section, Nagatani's Obsession, UNM Professor Patrick Nagatani Uses His Camera to Attack Nuclear Naivete With Black Humor, Irony and Beauty, Lauren Poole, D1 and D2, October 7, 4 color reproductions New York Magazine, Fall Preview, Nancy Angiello, Volume 24, No. 37, September, color reproduction Framework, Los Angeles Center for Photographic Studies, Portfolio 1991 - Southern California, curated by Graham Howe and Pilar Perez with essay by Howe, Director, Curatorial Assistance, color reproduction ARTnews, A Terrible Beauty, Vicki Goldberg, Summer 1991, color reproduction Photo/Design, CROSSCULTURAL RECOLLECTION, F.Y.I. Shows, Jonathan Barkey,issue #40, May/June, p. 12 The Albuquerque Voice, Nagatani's Nuclear Vision: Death in Living Color, Kate Bennett, review, May 29, 1991, 2 b&w reproductions Albuquerque Journal, The Arts, The Nuclear Love Affair - Words, Images Expose Fresh Perspectives On N.M. Legacy, David Staton, feature, May 19, 3 color reproductions The Virginia -Pilot and the Ledger-Star , 'Collaborative Polaroids' record scenes that never happened, Carol Rand, review, April 28, 1991, b&w reproduction PortFolio Magazine, Boomer Dreams - Snapping angst at the Chrysler, Linda McGreevy, review, April 23, 1991, b&w reproduction The Daily Break of The Virginia-Pilot and the Ledger-Star, Pushing art beyond the limits of reality, Teresa Annas, review, April 13, 1991, b&w reproduction The Chrysler Museum, A monthly Bulletin, Patrick Nagatani and Andree Tracey, Collaborative Polaroids, Brooks Johnson, Volume 21, Number 2, March/April 1991, b&w reproduction Los Angeles Times, Calendar Section, The Ironic Co-Existence of Things Natural, Nuclear, Zan Dubin, review, March 2, 1991, b&w reproduction   1990 Playing With Fire - Six New Mexico Artists Working With Nuclear Issues, catalog, The Center for Contemporary Arts of Santa Fe, essay by Diane Armitage, b&w reproduction Appropriation / Transformation, catalog, Jonson Gallery, University of New Mexico, essay by Joseph Traugott, b&w reproduction 7 Days, Patrick Nagatani and Andree Tracey, Robert Atkins, review, November 22 Sunday News Journal, Wilmington, DE, Capturing '80's Chaos, Penelope Bass Cope, May 14, b&w image Q/A Journal of Art, Department of Art, Cornell University, Duck and Cover? 'Radioactive,Inactive Portraits' by Nagatani and Tracey, Timothy Murray, review, May 1990, 2 b&w reproductions Aperture, Dark Laughter - Patrick Nagatani and Andree Tracey at Jayne H. Baum Gallery, New York, November   1989, Charles Hagen, review, Spring 1990, b&w reproduction Tufts Daily, Photos of Fantasies, Fables, and Fabrications' explores style of 80's, Angie Yuan, March 6 Southern California Home & Garden, Photographer/Artist: Patrick Nagatani, Orville Clark, Jr., feature, March 1990, 5 color reproductions The Wilson Quarterly, Woodrow Wilson International Center for Scholars, The Way the World Ends, Cullen Murphy, Winter 1990, b&w reproduction Center Quarterly, Center for Photography at Woodstock, The Nuclear Survey, Peter Goin, #45 / Vol. 12, Number 1 / 1990, pp. 4-10, b&w cover reproduction, 2 b&w reproductions California Magazine, Polaroid Fusion / Photographs of Patrick Nagatani and Andree Tracey, feature, February 1990, 9 color reproductions Los Angeles Times, Calendar Section, The Galleries, Eve of Destruction, review, February 16,1990 The Miami Herald, Lively Arts, FIU Exhibition Finds Art in Urban Landscape, Helen Kohen, review, January 14, 1990 Picturing California, catalog, The Oakland Museum, California, 1989, essays by Bill Barich and Therese Heyman, color reproduction The Kansas City Star, Modern Photography Reflects Reality, or Creates its Own, Laura Caruso, October 14 American Art Today: The City, catalog, The Art Museum at Florida International University, Miami, Florida, essay by Dahlia Morgan 1989 Harper's Magazine, November, 1989, color reproduction Das Konstruierte Bild, (German catalog), Kunstverein Munchen, Germany, text by Andreas Vowinckel and Michael Kohler, curator, 2 color reproductions Village Voice, Art - New This Week, review, Robert Atkins, November 22, 1989 Artforum, Hapless Figures in an Artificial Storm, Max Kozloff, November 1989, color reproduction L'Invention D'un Art, (French catalog), Centre Georges Pompidou, Paris, France, essay Alain Sayag, 2 color reproductions Symbol and Surrogate / The Picture Within, catalog, University of Hawaii Art Gallery, essay by Diana Schoenfeld, 2 color reproductions The Sunday Star-Bulletin, Honolulu, Duo Takes Active Role in Creative PhotographicSubjects, Marcia Morse, review, October 1, 1989, 2 b&w reproductiona Radioactive Inactives, A Photographic Collaboration Between Patrick Nagatani and Andree Tracey, catalog, Bayly Art Museum, University of Virginia, Charlottesville, VA, essay by Stephan Margulies, 11 b&w reproductions Fantasies, Fables, and Fabrication: Photo Works From the 1980's, catalog, Herter Gallery, University of Massachusetts at Amherst, essay by Trevor Richardson, color reproduction, West/Art & The Law - An Exhibition of Work by Contemporary Artists Interpreting the Law and Society in Our Times, catalog, 4 page foldout color reproduction The Daily Progress, Charlottesville, Virginia, California Photographers Step Beyond Reality, Ruth Latter, review, September 24, 1989, b&w reproduction Chicago Tribune, Western Military Sites Mark the Landscape and the People, Abigail Foerstner, review, September 8, 1989, b&w reproduction Currents, catalog, Santa Barbara Museum of Art, California, essay by Nancy Doll, color reproduction Artspace / A Magazine of Contemporary Art, Patrick Nagatani and Andree Tracey: Atomic Polaroids, Joel Weishaus, feature, July/August 1989, 2 color reproductions Art New England, Photographic Resource Center / Boston - Photography & Performance, James Weinstein, review, March 19, 1989 Boston Globe, Where Photography and Performance Meet, Kelly Wise, review, Feb. 25, 1989 New Art Examiner, March, color cover reproduction Sunday News Journal, Capturing '80s Chaos, Wilmington, Delaware, Penelope Bass Cope, May 14, b&w reproduction St. Louis Post Dispatch, Photo Exhibit Documents Artifical Creations, Patricia Degener, review, February 28, 1989, 2 b&w reproductions The New Orleans Art Review, Adams, Nine Photographers, James R. Watson, review, January-March Fictive Strategies - Actuality and Originality in Contemporary Photography, catalog, The Squibb Gallery, Princeton University, New Jersey, essay by Joseph Rauch Boston Globe, Where Photography and Performance Meet, Kelly Wise, review, February 25,1989 Boston Observer, Anxiety Finds Life on Film - B.U. Photography Exhibit Examines Human Motivations, Charles Provancher, review, February 21, 1989, b&w reproductions Boston Phoenix, Photosynthesis, Putting Performance Art in Front of the Camera, David Bonetti, review, February 3, 1989, b&w reproduction   1988 Albuquerque Journal, Arts Section, Creative Team Depicts All-Too-Possible Events, Joseph Traugott, review, December 18, 1988, 3 b&w reproductions The Santa Fe New Mexican, Polaroid As Installation Performance, Sally Eauclaire, review,b&w reproduction The Daily Record, Ellensburg, Washington, Lillian Stillman, review, November 4, 1988 Spot, A Publication of the Houston Center for Photography, Images of Images, Roberto Cofresi, review, Winter, b&w reproduction Collaboration, catalog, Security Pacific Corporation, Los Angeles, California, essays by Mark Johnstone and Tressa R. Miller, color reproduction L.A. Weekly, review, Peter Frank, August 12-18, b&w reproduction Los Angeles Times, Calender Section, Faces...Atomic Artists, Victor Valle, feature, August 6, 1988, b&w reproduction Los Angeles Times, Calender Section, Galleries-Reviews, Suzanne Muchnic, review, July 22, 1988, b&w reproduction Interview, Two to Tango, Brad Kessler, review, July, b&w reproduction New Surrealism: Or, The Fiction of The Real, catalog, The Center for Photography at Woodstock, New York, essay by Kathleen Kenyon, color reproduction Art Muscle, Photography On the Edge, You Can't Have It Both Ways, Cynthia Crigler, review, March 15- May 15, 2 page b&w reproduction Photography On the Edge, catalog, The Patrick and Beatrice Haggerty Museum of Art, Marquette University, essays by Curtis L. Carter and Noel Carroll ARTS Magazine, Patrick Nagatani and Andree Tracey at Jayne H. Baum, Robert Mahoney, review, January, b&w reproduction LA Hot and Cool: The Eighties, catalog, MIT List Visual Arts Center, Massachusetts Institute of Technology, essay by Dana Friis-Hansen, reproduction   1987 Los Angeles Times, Calendar Section, Art, Getting (Surprisingly) Serious With Polaroids, Suzanne Muchnic, review, December 10, 1987 Artweek, The Bomb's Red Glare, Erika Suderburg, review, December 5, 1987, b/w reproduction Los Angeles Times, Calendar Section, Works of Painter and Photographer on Exhibit at UCLA, Marlena Donahue, review, December 5, 1987 CITY Magazine, (French Publication), New York - Patrick Nagatani and Andree Tracey, Catherine Ne'donchelle, review, November, b&w reproduction PhotoMetro, Patrick Nagatani and Andree Tracey at the Wight Art Gallery, Katherine Morgan, review, November, b&w reproduction Poetic Injury: The Surrealist Legacy in Postmodern Photography, catalog, The Alternative Museum, New York, essays by Suzaan Boettger, G. Roger Denson, Rosalind Krauss, November, b&w reproduction Artweek, Images Beyond Veracity, Judith Christensen, review, Novermber 14, b&w reproduction The San Diego Union, The Arts, Six Photographers Take Their Eyes Off Found Images, Robert Pincus, review, November 1, b&w reproduction Zoom Magazine, (American Edition), Images From Polaroidland, November, 4 color reproductions The Vancouver Sun,(Canadian publication), Slick Art With a Message, Elizabeth Grodley, review, September 24,2 b&w images American Photographer Magazine, Decisive Momentos, feature, April, 3 color reproductions Asahi Camera Magazine, (Japanese publication), Visual Palette - Patrick Nagatani and Andree Tracey Describe the Atomic Age With Pop Feeling, feature, April, 3 color reproductions Stern Magazine, (German Publication), Bilder Von Traum Und Wahn, Matthias Matussek, review, March, 9 b&w reproductions Chicago Tribune, Tableaux Burning Message: Aplomb in Face of The Bomb, Abigail Foerstner, review, March 20, 2 b&w reproductions Popeye, (Japanese Publication), February, 4 b&w reproductions Marie Claire, (Japanese Publication), Patrick Nagatani and Andree Tracey, February, 9 b&w reproductions Photojournal Asahicamera, (Japanese Publication), interview, February, 9 b&w reproductions Photo Newsletter, Interview 8 - Patrick Nagatani & Andree Tracey - Excerpts From Interview at Gallery Min, February 15, Volume 1, Number 2   1986 The Polaroid Newsletter for Photographic Education, Patrick Nagatani and Andree Tracey, Evelyn Roth, feature, Fall/Winter, 2 color reproductions The Staged Photographs of Patrick Nagatani & Andree Tracey, brochure, John Michael Kohler Arts Center, Sheboygan, Wisconsin, essay by Joanne Cubbs, 1 color and 2 b&w reproductions Zoom Magazine, Instant Image - Patrick Nagatani and Andree Tracey, August- September, Volume 14, pp. 24-29, 5 color reproductions Photo/Design Magazine, A Sampling of the Polaroid Collection, tenth issue, full color reproduction East / West - Contemporary Asian-American Art in Los Angeles, catalog, Montgomery Gallery, Pomona College, California, text by Mary MacNaughton, color reproduction Before the Camera - A Selection of Contemporary Studio Tableaux, brochure, Burden Gallery, Aperture Foundation, Inc., New York, essays by Charlie Stainback and Larry Frascella, b&w reproduction Arts Magazine, Patrick Nagatani / Andree Tracey, Robert Mahoney, review, January, color reproduction   1985 L.A. The Book, H. Dieter Rickford, publisher, 3 color reproductions The Orange County Register, Art Review Section, Reality Takes a Vacation in Campy Polaroid Parodies, Cathy Curtis, review, September 27 Los Angeles Times, Calendar Section, Galleries - Reviews, Colin Gardner, review, September 6 The Orange County Times, Art Reviews Section, Merging the Real With the Unreal, Colin Gardner, review, September 6, b&w reproduction Los Angeles Times, Calendar Section, In 'Blue Room', A Rainbow of Ingredients,review, b&w reproduction High Performance, Almost Live Art, Volume 8, Number 2, b&w reproduction and color reproduction on the back cover Los Angeles Times, Calendar Section, East / West: A Collision of Cultures, Kristine McKenna, review, March 27, b&w reproduction Los Angeles Times, Calendar Section, A Mixed Sampler By UCLA Graduates, Dinah Berland, review, March 24 Views: The Journal of Photography in New England, Patrick Nagatani: Recent Work and Collaborations with Andree Tracey, Robin Hardman, review, Spring, Volume 6, Number 3, b&w reproduction   1984 The Boston Globe, Nagatani and Tracey Challenge and Amuse, Kelly Wise, review, December 8, b&w reproduction Los Angeles Herald Examiner, California Living Magazine, The One-Minute Masterpiece, Noah James, feature, August 26, b&w reproduction Photography in California 1945-1980, catalog, San Francisco Museum of Modern Art, California, essay by Louise Katzman, 3 color reproductions   1983 Artweek, Manipulated Prints, Lance Carlson, review, September 10, 2 b&w reproductions Focal Point, Review, Gail Koffman, July/August, Volume II, Number 7, b&w reproduction Los Angeles Times, Calendar Section, On Photography - Travels Through Time and Space, Dina Berland, review, June 26, b&w reproduction   1982 Artweek, Studio Work: Color It Large, Chuck Nicholson, review, September 4 Los Angeles Times, Calendar Section, Photos That Are Made, Not Found, Suzanne Muchnic, review, September 1 Los Angeles Herald Examiner, Photos That Shun The 'Real World', Christopher Knight, review, August 1 The Art of Photography, Life Library of Photography, Challenging the Traditions: One Picture From Many, revised edition, full page color reproduction Studio Work: Photographs by Ten Los Angeles Artists, catalog, Los Angeles County Museum of Art, Nagatani - Selected Works - 1976-1981, catalog, Srecna galerija/Happy Gallery, Studentski kulturni center, Belgrade, Yugoslavia, text by curator Slavko Timotijevic, 11 b&w reproductions and 2 color images The Archive, Recent Color, catalog, Center for Creative Photography, Uniuversity of Arizona, Tucson, 1 page color reproduction LA Weekly, Photography L.A., The Hot and the Cool, Dinah Berland Portner, February 5-11, b&w image 1981 Picture Magazine, Tableau Photography, Issue 18, 2 color reproductions California Colour, catalog, The Photographers' Gallery, London, England, color reproduction ARTnews, What Happens When You Cross a Photograph With a Rock?, A.D. Coleman, April, color image School Arts Magazine, Profile - Patrick Nagatani: artist/teacher, Joseph A. Gatto, March, 4 color images Contemporary Hand Colored Photographs, catalog, De Saisset Museum, University of Santa Clara, California, essay by Georgiana Legoria, cover reproduction Picture Magazine, Contemporary Hand Colored Photography, Issue 17, 2 color reproductions including cover reproduction Photofusion, catalog, Pratt Manhattan Center Gallery, New York, New York, b&w reproduction Camera Arts Magazine, Patrick Nagatani - Kosmopolites, feature, January/February, cover reproduction (color) and 7 color reproductions including cover reproduction Los Angeles Times, Calendar Section, A Multicultural Celebration of Photos, William Wilson, review, February 8 Multicultural Focus - A Photography Exhibition for the Los Angeles Bicentennial, catalog, Los Angeles Municipal Art Gallery, Barnsdall Park, b&w reproduction Los Angeles Times, Calendar Section, A Spectrum of Colorists, Suzanne Muchnic, review, February 8 Artweek, Patrick Nagatani's Symbolism, Chuck Nicholson, review, January 10, b&w reproduction 1980 Time-Life Photography Annual 1980, Patrick Nagatani's Medical Charades, Discoveries Section,10 page color portfolio, english and foreign texts Emerging Artists / UCLA, catalog, University of California, Los Angeles, 2 b&w reproductions Photographer's Forum, University of California, Los Angeles - by Patrick Nagatani, February/March   1979 COLOR FOTO Magazine, (German Publication), The Syncretistic Point of View - Photographs by Patrick Nagatani, A. M. Degtjarewsky, March, 6 page color portfolio Attitudes: Photography in the 1970's, catalog, Santa Barbara Museum of Art, California, reproduction Photographic Directions: Los Angeles 1979, catalog, Security Pacific Bank, Los Angeles, California, color reproduction Spectrum: New Directions in Color Photography, catalog, University of Hawaii at Manoa, color reproduction Popular Photography Annual 1979, Color on the Wall, Jim Hughes, 4 color reproductions 1978 Artweek, Two Uses of Color, Dinah Portner, review, November 18, b&w reproduction 1977 Peterson's Photographic Magazine, Patrick Nagatani: Isolating the Ephemeral Moment, David Brooks, March, 8 page b&w portfolio SELECTED PUBLIC LECTURES (and SEMINARS/WORKSHOPS/CRITIQUES): 2004 Museum of Fine Arts, Santa Fe, New Mexico, January   2003 Cal Poly Pomana and the Pomana Arts Colony, California, September Reed College, Portland, Oregon, February University of Oregon, Eugene, Oregon, (lecture and critiques) February University of Washington, Seattle, Washington, February   2002 Kenyon College, Gambier, Ohio, (lecture and one-week workshop), September Rochester Institute of Technology, New York, February   2001 University of Kentucky, Lexington, November Illinois State University, Bloomington, Illinois, October University of Nevada, Las Vegas, March Lycoming College, Williamsport, Pennsylvania, March University of the Arts, Philadelphia, Pennsylvania, March The Center for Creative Photography, University of Arizona, Tucson, January   2000 The Center for Creative Photography, University of Arizona, Tucson, December Johnson State College, Johnson, Vermont, (lecture and critiques), April College Art Association Conference, New York, New York, (panel lecture), February   1999 University Art Museum, University of New Mexico, October Sweeney Convention Center, Santa Fe, Mountain-Plains Museums Association and New Mexico Association of Museums, 1999 Joint Annual Meeting, "Virtual History-Keeping History Accessible and Accurate", (keynote speaker), October University of Alaska, Anchorage, (lecture and one-week workshop), May Santa Fe Community College, Santa Fe, New Mexico, April The Art Institute of Boston, Boston, Massachusetts, duPont Visiting Artist Lecture Series, April 516 Magnifico Artspace, Albuquerque, New Mexico, Idea Photographic: New Mexico-Recent Work by Leading Artists', "Viewpoints in Contemporary Photography", panel discussion moderated by Wesley Pulkka, July   1999 Annual National Conference, Society for Photographic Education, Tucson, Arizona, Writing and Photography, "Catalytic Intermingling of Language and Image", panel discussion moderated by L. Elizabeth Talbot Hall, March   1998 University of Iowa, Iowa City, November University of Michigan, Institute for the Humanities, Ann Arbor, (lecture and panel discussion) March The Harwood Center, Albuquerque, New Mexico, February   1997 University of Colorado, Denver, Auraria Campus, November CEPA Gallery, Buffalo, New York, October University of Utah, Salt Lake City, April   1996 University of Colorado, Denver, Auraria Campus (Keynote Speaker for Society for Photographic Education- Regional Conference), October Cincinnati Art Museum/Art Academy of Cincinnati, Ohio, October 5.1.6. University Art Museum Downtown, Albuquerque, New Mexico, October Somos (Society of the Muse of the Southwest), Censorship/USA, Taos Civic Center, New Mexico, August University of New Mexico, Department of Art and Art History, Gale Memorial Lecture Series, March Florida State University, Tallahassee, (lecture and student critiques), January   1995 University of Northern Iowa, Cedar Falls, Iowa, February pARTs Gallery, Minneapolis, Minnesota, January Kansas City Art Institute, Kansas City, Missouri, January   1994 Western University Presses, Albuquerque, New Mexico, October Grossmont College, Grossmont, California, (workshop), July Museum of Photographic Arts, San Diego, California, July California State University, Humboldt (lecture and workshop for CSU Summer Arts Program), July The Friends of Photography, San Francisco, California, (faculty Annual Members Workshop), June Claremont Graduate School and Pitzer College, Claremont, California, (lecture and student critique), Feb.   1993 Stanford University, Stanford, California, October Atlanta College of Art, Atlanta, Georgia, September Indian Pueblo Cultural Center, Albuquerque, New Mexico, May Southern Oregon State College, Ashland, Oregon (lecture and student critique), April   1992 Art in the School, Albuquerque, New Mexico, November College of Santa Fe, Santa Fe, New Mexico (student seminar), October Institute of American Indian Arts, Santa Fe, New Mexico, October Richard Levy Gallery, Albuquerque, New Mexico, October University of Oregon, Eugene, Oregon (lecture and graduate critique), October University of Colorado, Boulder, Colorado (lecture and graduate seminar), September Denver University, Denver, Colorado (lecture for Colorado Photographic Arts Center), September California State University, Humboldt (lecture and workshop for CSU Summer Arts Program), July New York University, New York, New York (lectures and seminar for National Graduate Seminar), June Roswell Museum, Roswell, New Mexico, June University of New Mexico - Los Alamos Branch Campus, March University of Utah, Salt Lake City, Utah, February Weber State University, Ogden, Utah (lecture and critique of student work), February   1991 Marquette University, Milwaukee, Wisconsin, December The Albuquerque Museum, Albuquerque, New Mexico, June Monterey Peninsula Museum of Art, Monterey, California, May San Jose Institute of Contemporary Art, San Jose, California (panel discussion), May University of Santa Clara, Santa Clara, California, May Thomas Nelson Community College, Hampton, Virginia (lecture and student critique), April The Chrysler Museum, Norfolk, Virginia, April Irvine Fine Arts Center, Irvine, California, February   1990 Columbia College, Chicago, Illinois (lecture and workshop), November Lubbock Fine Arts Center, Lubbock, Texas, October Texas Tech University, Lubbock, Texas (lecture and panel discussion for S.P.E. regional conf.), October The Center for Photography at Woodstock, Woodstock, New York (lecture and workshop), July University of Alabama at Birmingham, Alabama (lecture and jurying for student exhibition), May Art Institute of Southern California, Laguna Beach, California, March Oregon School of Arts and Crafts, Portland, Oregon (lecture and critique of student work), February Portland Art Institute, Portland, Oregon, February   1989 University of Nevada, Las Vegas, Nevada (lecture and critique of graduate work), Novermber Friends of Photography, San Francisco, California (lecture and workshop-Photography in the 80's), August University of Alaska, Anchorage, Alaska (lecture and workshop/critique), May University of Iowa, Iowa City, Iowa (lecture and critique of graduate work), April Webster University, St. Louis, Missouri (lecture and critique of student work), February Arizona State University, Tempe, Arizona , February Photographic Resource Center, Boston University, Massachusetts, February San Francisco Cameraworks, San Francisco, California, January 1988 The Center for Contemporary Arts of Santa Fe, New Mexico, December Central Washington University, Ellensberg, Washington (lecture/symposium SPE region conf.), November Houston Center for Photography, Houston, Texas, September Rochester Institute of Technology, Rochester, New York (lecture and graduate seminar), April Maryland Institute, College of Art, Baltimore, Maryland (lecture and graduate critique), April 1987 Museum of Photographic Arts, San Diego, California, November Society for Photographic Education, Southwest Regional Conf., Albuquerque, New Mexico, October University of California, Los Angeles, California, October Japanese American Community Cultural Center, Los Angeles, California, October Emily Carr College of Art & Design, Vancouver, BC (lecture and student critique),September University of New Mexico, Albuquerque, New Mexico, April Los Angeles Photography Center, Los Angeles, California, April City College of San Francisco, San Francisco, California, March Gallery Min, Tokyo, Japan, February Texas Woman's University, Denton, Texas, January SELECTED PROFESSIONAL EXPERIENCE 2004 Judge for Santa Fe Center for Photography, Vision 2004 Competition, Santa Fe, New Mexico   2003 Juror for Roswell Artist-in-Residence Program, Roswell, New Mexico   2002 Panelist for Maryland State Arts Council Photography Panel, Baltimore, Maryland ` Panelist for New Jersey State Arts Council Photography Panel, Baltimore, Maryland Panelist for Pennsylvania Council on the ARts Photography Panel, Baltimore, Maryland   2000 Panelist Juror for MTA Lightbox Project, Los Angeles, California   1999 Donor for The Nuclear-Free Future Award: In the Spirit of the World Uranium Hearing, Fuller Lodge, Los Alamos, New Mexico 1999 Juror for Albuquerque Public Schools Focus Photography Exhibition 1999 Juror for New Mexico Photographer: Annual National Photography Contest, Eastern New Mexico University, Portales, New Mexico   1998 Juror with Lucy R. Lippard for Vehicle: Art and Transportation in New Mexico, The Harwood Art Center, Albuquerque and Plan B, Santa Fe   1997 Juror for Visions: Contemporary Colorado Photography, Emmanuel Gallery, University of Colorado at Denver, Auraria Campus   1996 Honorary Advisory Committee of Senior Arts, Inc.   1995 Juror for The Magic Silver Show 1995, University of Northern Iowa, Photography Exhibition 1995 Juror for 1995 Magnifico! Art of Albuquerque Show (photography selections)   1994 Panelist for National Endowment for the Arts, Photography Fellowships   1993 Panelist for Illinios Art Council, Photography Fellowships 1993 Panelist for Southern Arts Federation, Regional Photography Fellowships   1992-93 Board Member of Art in the School, Albuquerque, New Mexico 1992 Juror for Albuquerque Public Schools Focus Photography Exhibition 1989-93 Coordinator of Visiting Artist Lecture Series, Department of Art and Art History, University of New Mexico   1990 Juror for University of Alabama at Birmingham Annual Student Art Exhibition   1989 Juror for Route 66 - Artist Window Competition, Albuquerque, New Mexico 1989 Project Coordinator/Curator for the 20X24 Polaroid Camera Project at the University of New Mexico. Organized two exhibitions of 20X24 work, University Art Museum, University of New Mexico and the Jayne H. Baum Gallery, New York, New York 1989 Juror for Albuquerque Public Schools High School Photography Exhibition and Awards, New Mexico State Fairgrounds, Albuquerque 1989 Juror for Visions '89: A Survey of New Mexico Fine Art Photography, Fine Arts Gallery, New Mexico State Fairgrounds, Albuquerque 1988-89 Gallery Coordinator, Teaching Gallery, University of New Mexico   1988 Panelist for the Massachusetts Council on the Arts and Humanities, Contemporary Arts Programs   1987 Juror for the Society of Photographic Education exhibition, Regional Realities, Albuquerque 1987 Juror for the Museum of Photographic Arts, San Diego, California, Member's Exhibition   1986-87 Panelist for the California Arts Council, Organizational Grants Program   1985 & 84, 82 Judge for pre-screening of the Annual Student Film Awards, Academy of Motion Picture Arts and Sciences, Los Angeles, California   1984 Panelist for the California Arts Council, Artists in Schools contract grants 1984 Juror for the Los Angeles Times Home Magazine, annual photography contest 1982 Editorial Board Member for DREAMWORKS, an interdisciplinary quarterly   1980-82 Managing Editor for OBSCURA, the quarterly magazine of photography, theoretical writing, and criticism from the Los Angeles Center for Photographic Studies   1972-82 Board of Trustee Member, Los Angeles Center for Photographic Studies   1980 Organized, Asian-American Contemporary Photography Invitational, Cameravision Gallery, Los Angeles, California   1979 Organized, with Graham Howe and Scott Rankin, Ansel Adams and Toyo Miyatake/Two Views of Manzanar, Frederick S. Wight Art Gallery, University of California, Los Angeles. Project co- editor of catalog under the same title as exhibition. 1979 Organized, Los Angeles Center for Photographic Studies/Postcard Show, Exploratorium Gallery, California State University, Los Angeles SELECTED EMPLOYMENT: 2001-03 Associate Chair, Professor of Art, Department of Art and Art History, University of New Mexico, Albuquerque   2001 Visiting Artist in Resident, University of Nevada, Las Vegas   1996- Professor of Art, Department of Art and Art History, University of New Mexico, Albuquerque   1990-96 Associate Professor of Art, Department of Art and Art History, University of New Mexico, Albuquerque   1987-90 Assistant Professor of Art, Department of Art and Art History, University of New Mexico, Albuquerque 1980-87 Assistant Professor of Art, Department of Art/Art History, Loyola Marymount University, Los Angeles 1987 Instructor, Otis Art Institute of Parsons School of Design, Los Angeles; Continuing Education   1986-87 Artist Residency, California Arts Council, L.A. Theater Works, Juvenile Court and Community Schools   1983 Visiting Artist/Instructor, The School of the Art Institute of Chicago   1980-83 Instructor, Photography, West Los Angeles Community College, Los Angeles   1976-79 Instructor, Photography, Fairfax Community Adult School, Los Angeles   1968-80 Instructor, Alexander Hamilton High School, Los Angeles Unified School District

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